National Repository of Grey Literature 8 records found  Search took 0.02 seconds. 
Pop-art Elements in Art-Project Education at Primary School
RYPOTOVÁ, Lucie
This theoretical project-based thesis focuses on application of pop art in art education at primary school. The theoretical part is divided into two chapters. The first one describes the origin and development of pop art and the second is focused on pop art prom the perspective of didactics of art education. The project part of the thesis is divided into six lessons, which are part of the art series named Quick Trips for Pop Art to Museums and Galleries of Modern Art. The topics of the lessons are mediated in a playful way and designed to use various art techniques.
The role of popular culture in the arts in the UK and Czechoslovakia in the 50s and 60s of the 20th century
Vrkotová, Lucie ; Alt, Jaroslav (advisor) ; Svoboda, Aleš (referee)
The thesis seeks to compare the role of pop art and popular culture in art in Great Britain and Czechoslovakia in the 50s and 60s of the 20th Century. We shall focus on the relationship of popular culture and art in both countries with regards to their different social and political backgrounds. In the beginning of the thesis we shall delimit some of the theoretical concepts such as popular culture or popular art. We shall also try to define the concept of art itself. The thesis will not omit to characterize the basic features of British and American pop art. The work will introduce quintessential representatives (individuals as well as groups) of pop art from the British and Czechoslovakian art scene of the selected time period. On those particular examples, we shall look for identical attributes or differences in their art works which should be conditioned by the specific cultural and social settings of the society. We should also take into consideration some of the art techniques or technologies used within pop art and also at least in general the relations to popular music, architecture and literature.
David Hockney: The Way to New Media
Graca, Ivo ; Klimešová, Marie (advisor) ; Rakušanová, Marie (referee)
This bachelor thesis focuses on a British painter, draughtsman, photographer, graphic and stage designer, David Hockney, and his work. Unfortunately, this worldwide acknowledged artist has not yet attracted as much attention of the Czech art- historical environment as he would deserve. Therefore, the aim of this thesis is to briefly introduce Hockney's life and work, and to integrate it into the world art history context. A special consideration is taken into the genesis of the artist's output with respect to the work with modern technologies and new media.
Macroworld - Microworld
HEJDUSOVÁ, Aneta
Theoretical part is about study of colours as fine art´s mean of expression and its specifics meaning in the movement pop art. There is a colours decription from a physics and optics point of view, its influences and usage in painting. Part of the theory is also small piece of information about the evaluation of pop art and Bauhaus school, where the theory of colours has been processed. Practical part will represent a cycle of paintings treated on principles of pop art language and will be completed with work of colour spectrum.
Expressive means of painting in the Renaissance, Baroque and Pop Art
RONOVSKÁ, Tereza
Tereza Ronovská, bachelor thesis "Expressive means of painting in the Renaissance, Baroque and Pop Art." The theoretical part analyses the basic Expressive means of painting in the Renaissance, Baroque and Pop Art. It deals with the differences between these three historical periods. The analysis of 5 selected works of classical artists indicates the characteristic expresse means in a given epoch. The conclusions of the analysis in the theoretical part are directly applied in the practical part of the thesis five part painting. 5 segments of a face painted in 5 different styles create together the author´s self- portrét.
Relation between avant-garde, mass art and kitsch
ŠTĚRBOVÁ, Alena
In my thesis, I will deal with the subject of the relation of high and mass art in the context of the issue of kitsch. The primary sources of my work will be Apocalypse Postponed by Umberto Eco, an essay Avant-Garde and Kitsch by Clement Greenberg and Estetika na přelomu milénia by Pavel Zahrádka. The main subject of the work will be examining the impact of avant-garde to kitsch and mass art and make a structural analysis of the kitsch on the background of the theory about social and cultural layers.

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